We created the Porta-Booth Pro voice booth to solve a problem that I and every other working voice-over actor had. How to record air-quality sessions and auditions when there wasn't a recording studio available. Rugged, hand-crafted and lined with Auralex® StudioFoam, the Pro is the home studio & on-the-road recording solution.

Our smaller, lighter but still great-sounding Porta-Booth Plus zips together in seconds and easily fits into a standard carry-on bag. Hand-made with Rip-Stop Nylon exterior and Auralex StudioFoam interior.

If you're like me you prefer standing up to record. Our heavy-duty stand let's you do just that. It assembles with no tools, nuts or bolts and provides a stable support for your Porta-Booth and recording gear.

It seems that the second most common question I'm asked is: "What the best microphone for voiceover?" (The first is: "How can I get an agent?"). It dawned on me that most studio microphones were designed for musicians and singers not word-workers. So with the help of MXL we designed a microphone specifically for voice-over. The VO: 1-A gets raves for it's sound and it's affordable price.

This is just the prettiest, sexiest pop filter I've ever seen and it really sets off your VO: 1-A. It's expensive but I suspect your worth it.

I've spent a big part of my life with headphones on and my list of dislikes was long: Heavy, cheesy vinyl ear pads, overt bass emphasis sound were just a few gripes. So we built these 'cans' expressly for voice work and they are "Truth Tellers." You hear the clear unadulterated sound of your voice and the recording space. They're light & strong with all leather ear pads.

Do you really need a headphone hanger? Of course not. But then again headphones crashing to the floor almost always damages them.. Our hanger is powder-coated with a soft nylon tip that won't "gar up" your mic stand and it looks way more professional than any thing you'll find at the hardware store.

I really like metal pop filters. They last forever, are easy to clean and direct those plosives sounds downward away from your microphone. A good and inexpensive pop filter like this also saves your microphone from moisture - i.e spit - getting on it's sensitive diaphragm eventually degrading it's sound. IMO our Vox Pop Stop is cheap microphone insurance.

My personal MicPort Pro USB A/D converter Preamp has traveled hundreds or thousands of miles and is as good as the day I bought it. Instead of buying an "all-in-one" USB microphone (the equivalent of a "multi-purpose" printer) invest in a MicPort. Then you can use any studio microphone in the world.

If your budget or sonic needs are limited this A/D converter Preamp from MXL might be just the ticket especially if your recordings are mainly auditions. It's a way better solution than any of the USB mics available.

A shotgun microphone is great for voiceover work when an "in-your-face" sound is needed. The Sennheiser 416 is a perennial favorite and it's worth it's price. But the shock mounts available were meant for location recording and are too big and unnecessarily expensive for voice work. This small, lightweight, inexpensive mount is the perfect solution.

I don't think there is a more flexible desktop stand anywhere than this one. You can adjust the height of course but you can also change the weight of the stand. In addition it can connect to both European and USA microphone threads. A rock-solid accessory.

Our exclusive ABS is used by bands, symphonies, commercial and personal recording studios worldwide. Talk about an inexpensive way to prevent damage to your expensive microphone... this is it.

Old school but what a beauty. No batteries necessary and that reassuring tick tick tick will take you back to your childhood. It times precisely sixty seconds and makes a great gift in its beautiful, satin lined presentation case with magnetic catch.

All metal with a lifetime warranty from Avantone this is a great all around pop filter that curves gracefully around your microphone. It is one of my favorites and a class act.

No. This is not one of those rubber billboards hanging off the rear wheels of the semi you're tailgating. This mud guard helps remove the reflected sounds that occur even in an acoustically treated space. In a small voice booth it diminishes that "boxy" sound that a tight enclosure often creates. Highly recommended.

A pre-assembled kit that tuns a closet or small room into a professional-sounding recording studio. Forget muffled-sounding moving blankets - they will reduce some outside noise - but not shape your sound. That's what acoustic foam does and it's why all professional studios use it.

A dozen 2' x2' by 2" deep charcoal StudioFoam tiles from the number one producer of acoustic treatments in the world. As the folks at Auralex are fond of saying: "if your recordings sound bad it's not your gear... it's the room!"

Contrary to legend Lenrd is not a rising young country singer. It's an acronym for Low End Reduction Device i.e. bass traps. These do a great job of removing deep frequencies and rumble from your recordings.

72 of these allow you to mount your acoustic foam to a wall temporarily. Great for apartment dwellers but also good for initial installations so you can experiment with different configurations. Unlike anything you buy at the hardware store, Temp Tabs won't ruin the mounting surface OR your expensive foam.

I originally had these caps made up to publicize the first edition of my book: VO: Tales and Techniques of a Voiceover Actor. Once we began this store we made them available to talent. Be prepared when you wear this in public it'll seem like every other person you see will stroll up and say: "Ya know people tell me I have a good voice..."

Based on sales of the original VO: Tales & Techniques of a Voice-Over Actor my publisher asked for a second edition. I was happy to update it but only on the condition I could keep the studio stories intact because they are a view of a time when talent ran from studio to studio and worked face-to-face with producers, directors and each other. He agreed.

Jeff Fisher & my second edition of our non-technical guide to recording at home & on the road. Everything you need to know - nothing you don't. We had a ball writing this one and I think you'll laugh and learn when you read it.

Three hours of me blathering live before an audience of voiceover performers and broadcasters (who all want to be voice over performers). It is a peer-to-peer presentation based in the realities of our business today. It's good listen especially if you're stuck in traffic.

A complete and indispensable guide to launching a career in the lucrative field of voice-over work. Voices are increasingly in demand for commercials, cartoon characters, announcements, and other spots. This outstanding handbook explains how to launch a career and find work. Along with sample commercials and script copy, the author gives advice on vocal exercises, self-promotion, and business ...

A must-have book that shows you how every script, regardless of it's subject, reveals the linguistic clues the author used to guide you in delivering your reading as the author intended.

This book will help you acquire the skills you must have to pronounce words clearly and smoothly, express emotion incrementally, control your pace ...